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The Fall of Acre

by Owen Tromans & The Elders

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1.
Leaver 03:58
There’s been a complication With a snake called Acre and a man in flames What follows is for your consideration From the suburbs to the dreamworld and home again Everyone’s trying to get out of this town The snake ate the notebook of formulas and worldviews And the kids dreamt of pirates while they slept through their curfews I made my mind up long ago what was real We are the dust of stars and what we know and feel Everyone’s trying to get out of this town Doesn’t mean you’ll be better off somewhere else Doesn’t mean you’ll be better off somewhere else Doesn’t mean the snake won’t follow you Doesn’t mean the great bird won’t follow you Everyone’s trying to get out of this town
2.
Do you believe in spells? For he has set one upon me The blackest bird I ever saw Rapping its wings upon my door Do you believe in trust? For he has betrayed me Sent the blackest bird I ever saw To beat its wings upon my door Do you believe in spells? For he has set one upon me Sent the blackest bird I ever saw To beat its wings upon my door Don’t rock the boat, he’s a bad one Don’t rock the boat, he’s a bad one A snake and an oak, he’s a bad one Don’t rock the boat, he’s a bad one What a beautiful house, I wonder if they let him out? This is the House of the Magicks What a wonderful house, I wonder if they let her out? This is the House of the Magicks
3.
The Coast 03:32
John he’s asleep on the headland Pushing his dreams my way, he’s a better man Since he cut from The House of the Magicks He’s left that behind but you know how mud sticks When you’re trying to be free Mary’s off from the coast and her old life Leaving the boys, the arcades and the summertime She’s been holding on to that glimpse of A colder world where we’ve been delivered from All that stops us being free Lucy, sacred beauty, queen of the suburbs She’s cutting her hair back and spitting out tough words Doesn’t want to live her life on the small stage No matter how hard I try to get her to stay Because she makes me feel free Mary calls Lucy says remember the good times I’m coming your way, she’s singing down the phone line Lucy got older and coke and a new job Trying to kick the past out and just get on ‘Cause what’s the use in being free? John fell away, all white robes like Augustine Three years in that place until he quit the scene He drifted North where the sun grows real thin Built himself up to see his satellites spin Again That’s what I told Mary when she was here Throwing me thoughts with Blake and a cold beer Lucy’s in the city making it happen Mystical goddess I need her back and I wish I was free Not trapped by work but truly a brave man Mary took a train to find John if she can We’re all a little lost but we have more than most I can remember when we all stayed at the coast
4.
She speaks: Thank God I found you I swear there’s a halo around you And he laughs She frowns: I’ve got something to tell you I know what darkness befell you And he smiles It’s just that I got a message back She told me he knows you That there’s work to do Look... Look... Look... It’s just Lucy’s in the states with the snake Lucy’s in the states with the snake Oh I don’t know how she found him Maybe when we were younger, maybe when you were there You said it was such a magickal house He says: Such a golden connection I feel the sweetest injection of truth Mary when I’m with you And Lucy well she’s got to want to leave but hell I know someone who’ll disagree But now you need to get some sleep There’s an ocean out there
5.
I’ve been washed up with the crew of the Raven With those wide-eyed boys I’ve been sailing With salt in my face and the gold in my mind We emptied our barrels and got caught from behind Now I’m washed up with the crew of The Raven And that hot old sun is a-blazing We emptied our hearts when the canons were fired Now six men are lost and the captain is blind So kiss my skull, cross my bones Sister when you gonna come and take me home I set sail with the crew of the Raven Looking for a boat to get paid in With dreams in my head and luck on my side And a good deck of cards upon which I relied Through ancient seas I was trailing But the guns hit the last nail in And everything was slow and everything was black And the water is warm but the boots hold you back So kiss my skull, cross my bones Sister when you gonna come and take me home I was wrecked there with the crew of the Raven Not much of her was worth saving So we ran for the cliffs and we ran for the town Not once looking back at the dead and the drowned Kiss my skull, cross my bones Sister don’t you know that I’m coming home
6.
The dead-eyed man is the man for me He came a sailing from over the sea Heigh ho for the dead-eyed man Oh, May in the garden a-shelling her peas And the birds sing gaily among the trees. Heigh ho for the dead-eyed man Oh, May looked up and she saw her fate In the dead-eyed man passing by the gate Heigh ho for the dead-eyed man The dead-eyed man gave a fond look of love And charmed May's heart which was pure as a dove Heigh ho for the dead-eyed man Oh, May in the parlour a-sitting on his knee And kissing the boy who'd come o'er the sea Heigh ho for the dead-eyed man Oh, May in the garden a-shelling her peas Now weeps for the sailor who sailed over the sea Heigh ho for the dead-eyed man
7.
Here come old death like a terrible bird You gotta give that son of a bitch the respect he deserves His presence is dulled by electrical wires Oh, I see old death when the world it is quiet In my dreams he’s chopping up wood Under one wing he carries a drop of all our blood For each man and woman: you will have your time Where he will greet you by name, for death unlike love is not blind Fetch me water Fetch me a drink Throw open the windows while I tell you what I think Old death is with us; he hovers down low With you in his beak and me in his beak he knows when we will go With you in his beak and me in his beak he knows how we will go
8.
The Wake up 00:57
9.
Acre 09:03
This is what they call upstate They’re gonna wonder how I found this place But while I was here I couldn’t resist Peeling away the magick and the myth One lonely house on a hill I’ve got a little time to kill Don’t know why John suffered so bad Just a few photographs I’m sure they’re not that different from me and you We had our circles, our hooded few Snakes on the door and a bird on every sill Just one lonely house on a hill First a beautiful girl in white Her gentle skin reflects the light Tells me I’m expected, that I should be seen By the one who’s lived inside my dreams Oh Acre, Acre, He carries us all Oh Acre, Acre Allows us to stand tall His robe was long, his hair was short Asked me if I liked the little place he’d bought “I thought you’d look like Jesus,” was my retort He said “Jesus wore his hair like mine, you know, before he got caught” Oh Acre, Acre, He carries us all Oh Acre, Acre Allows us to stand tall The smells and the rooms And the pictures and the feel And the fading light outside and the offer of a meal Then the miracle girls And the entrance of their king And the songs, and the beer And the pills he brings Oh Acre, Acre, He carries us all Oh Acre, Acre Allows us to stand tall
10.
First a call, then a plane Then a car and a call again And a house on a hill And there was no time to kill Oh my love, she was there I could see the flowers in her hair As she sat on the steps And the look I’ll never forget Oh he’s not here He’s long gone And I don’t need saving from anyone Every room torn apart When she saw what was in his heart Saw the snake, what he needs Saw the blood and the fear he breeds Through the pull, through the haze She made a path, she found her way And though he feels that he’s the Word Not even Acre can outrun the bird
11.
She says Acre was a window into something ‘Cause I’ve been down and I’ve been thinking Did we do the right thing? I remember driving with the air all through us And the music was loud and the waitress smiled like she knew us So we ordered another drink You wore that ancient summer dress With Mary’s cowboy boots and nothing else And every driver seemed to like your style America looks good on you in spite of everything he put you through But I don’t think we’ll be back here in a while I don’t know if I can sing it But look at the stars and consider their position Sparks fly off cat’s eyes and get me wishing There was a way this could last Night roads show this world is anything but dead Songdreams rise up and cascade in my head And tumble into your lap I don’t know if I can sing it So look at the stars and consider our condition Not trapped by work or the latest edition Singing songs of pirates in our dreams I’ll spend my whole life trying to understand you Mystical goddess of the lost but true But I feel like I need another scene And it kills me to sing it But Lucy I’ve got to go

about

We, the hooded few, believe in tomorrow
We, the lost but true, believe in tomorrow

credits

released October 26, 2009

Owen Tromans: Vocals, guitars and piano
Danny Gee: Guitars, background vocals, percussion and piano
Ben Rowley: Bass guitar, bouzouki, percussion, acoustic guitar and background vocals
Ben Perry: Drums, percussion, acoustic guitar and background vocals

Additional musicians:
Nathan Thomas: Trumpet
Mike Davies: Pedal Steel

All songs written by Owen Tromans
And arranged by Owen Tromans & The Elders (copyright control)
Except “The Dead-Eyed Man” (traditional, arranged by Owen Tromans & The Elders)

Recorded and mixed by Lewis Childs at Earth Terminal:
Autumn 2008 – Spring 2009

Mastered by Peter Croissant at Grand Master Audio

Artwork and design by Richard Clarke
Band photography by Alex Hornsby

'Steady Comes The Bird' was recorded at home by Owen and originally issued on the 'Acre' digital single.

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